5.30.2013

30/05/2013 Opening 55th Venice Biennal



Don't forget the Azerbaijan pavilion. And grab a catalogue while you are there!











4.27.2013

From our archives

From our archives: Designed by Change is good in 2008 in collaboration with Frédéric Nicolay.

12.31.2012

Vedett summer olympics flag labels

Change is good designed a campaign showing Vedett labels with different colours.


12.14.2012

Latest posters in Paris subway

Posters by Change is good for the Nouveau théâtre de Montreuil.



11.22.2012

Cahiers du cinéma

Mise en page et conception de la couverture du Cahiers du cinéma, décembre #684

Graphic design of the Cahiers du cinéma, December #684 




http://www.facebook.com/pages/Cahiers-Du-Cinéma-officiel/171463046209195?fref=ts








10.27.2012

‘Chacun sa Maison’ Paul Chemetov catalog

Don't miss the exhibition of Paul Chemetov's work.
http://www.citechaillot.fr/fr/expositions/expositions_temporaires/24693-chacun_sa_maison.html







10.23.2012

Cahiers du cinéma

Change is good designs the Cahiers du cinéma and the covers
(the critics hit hard Haneke's ‘Amour’, get your issue
and check it out. 



10.22.2012

Nouveau Théâtre de Montreuil


New poster by Change is good for the Nouveau Théâtre de Montreuil. 
Down side up! Photo by Pierre Hybre.


9.22.2012

Double posters by Change is good

Two posters for the Nouveau de Théâtre de Montreuil, in the Paris subway now.


9.11.2012

New Change is good book design


The History of French cinema.Published by Cahiers du cinéma.
(more images later)


6.20.2012

‘104—C'est l’été’

New ‘104’ program, 
‘c'est l’été!’.
With a special center fold for kids,
have fun.




6.14.2012

Nouvelle galerie à Versailles


Change is good just finished the signage and pattern design (engraved on the wall) of the new/old rooms of Versailles. Long mission hard to write in one go, we'll post new images soon.
Interior Architecture by the agency Projectiles
Light design by Abraxas
Thanks to them and Cristal sérigraphie for their collaboration on this project
and a special thanks to Mr. Jean-Jacques Aillagon for making it possible.